Well, So far this is the best other then Germaine episodes. I would love to see more of this You did a good job. This is the first time i have also commented sence i am new here.
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If this review seems a little late, it at least has an occasion to justify it—a new run for "The Circus," which has begun playing at the 72d Street Playhouse. Chaplin has added a soundtrack, no dialogue, but a musical score that he himself composed. Anybody who has seen recent Chaplin movies, especially the miraculous "A Countess From Hong Kong," knows that he writes the loveliest kitsch background music since the Oskar Straus waltzes that graced the great Max Ophuls films of the early 's. In between, Charlie joins the circus as roustabout, saves it with the humor of his monumental ineptitude, falls in love with the circus owner's daughter Merna Kennedy , and loses her to the handsome tightrope walker — whose suit he bravely promotes. The theme of unhappy romance is not unusual in the major Chaplin films, though it is treated with less circumstance and much less pathetic detail in "The Circus" than in, say, "The Gold Rush" or "City Lights"—both of which enjoy accidental happy endings that are more gracious than gratuitous. The exemplary renunciation at the end of this film essentially begs an appreciation of what the Little Tramp stands for and what, despite his deserts, he is likely to get. But the image of the circus itself, an arena partly intended for comic performance, is a little unusual.
Time Tramp 3
The Circus is a silent film written, produced, and directed by Charlie Chaplin. The ringmaster of an impoverished circus hires Chaplin's Little Tramp as a clown, but discovers that he can only be funny unintentionally. The production of the film was the most difficult experience in Chaplin's career.
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